Showing posts with label ****. Show all posts
Showing posts with label ****. Show all posts

Saturday, 12 September 2009

The girl who played with fire (Flickan som lekte med elden) (2009)

Stieg Larsson's bestselling Millenium -trilogy is being transformed into movies. The girl who played with fire is the second part in the series, and continues the story that started in The girl with the dragon tattoo, the story of the hacker Lisbeth Salander and the Millenium -magazine's editor in chief Mikael Blomkvist.

Lisbeth (Noomi Rapace) returns to Sweden after about a year's "exile" and immediately gets the "men who hate women" on her tail. Mikael (Michael Nyqvist) has not heard a single word from Lisbeth since she disappeared after the events in The girl with the dragon tattoo. Mikael starts working with a freelance-journalist Dag, who has with his girlfriend (who is doing her doctoral thesis of the subject) done research of the buying and selling of women. In their research they have found interesting things about some high ranking state officials participating in the trade, and want to get their names in public.


When Dag and his girlfriend are murdered and in the gun the fingerprints of Lisbeth are found, everyone in the police as well as among the criminals in question start chasing the gothic, tattooed young woman. More horrifying details are revealed of Lisbeth's past and finally she gets to meet her past, face to face. And this is the most I can tell you without spoiling the story :)

The girl who played with fire does not quite reach the quality of its predecessor. The girl with the dragon tattoo was a masterpiece among thrillers in every detail with such an intensity that can only be admired. Thematically it was unique because of the feministic and anti-racist plot. Part two continues the same style, but as a whole is more fragmented and difficult to follow.


Following the complex story leaning only to subtitles is a bit difficult. My knowledge of Swedish is not very good and I found myself having some difficulties in understanding everything that was happening, as the story moves forward in such a fast speed and it does not waste too much time in explaining things. Also you may get more out of the story if you have read the original novels... I had not.

However, The girl who played with fire is filled with the same feminist energy as its predecessor and Rapace pulls her amazing and complex role again with such a skill that must be applauded. This movie focuses even more to Lisbeth's character and makes it definitely Rapace's film. Lisbeth is a female character with an attitude that is seldom seen in movies these days, and this along with her strange and horrifying past makes her one of the most interesting movie female characters in a long time!


Final verdict: Does not quite match its predecessor, but is still a very good thriller with interesting characters and focus on important issues of human trade and women's rights as well as the state of the psychiatric health care. Lisbeth Salander is one of the most interesting female characters in a long time, and Noomi Rapace does a marvellous job in personating her. Recommended to people who enjoy quality thrillers and who are not afraid of watching a Swedish film.

Directed by Daniel Alfredson
Written by Jonas Frykberg, based on Stieg Larsson's novel
Cast Noomi Rapace, Michael Nyqvist, Georgi Staykov, Sofia Ledarp
IMDb: http://www.imdb.com/title/tt1216487/
***** by Paivi

Thursday, 9 July 2009

Brüno (2009)

In 2006 Sacha Baron Cohen introduced the world to Borat, a reporter from Kazakhstan who shocked the USA when traveling around and looking for Pamela to make her his wife. The "semi-documentary" style movie gained Cohen an Oscar-nomination for Adapted Screenplay and many considered Borat the best comedy of the year.

This year Cohen brings his third character, a gay Austrian fashionista named Brüno, to the big screen. This time however it is not as easy to make the movie as documentary in style because Cohen's face is so well known all over that it's hard to fool people.


In Austria Brüno runs his own tv-show called Funkyzeit, but when he creates a disaster in the Milan fashion week, he gets fired and even his boyfriend dumps him. Deeply hurt Brüno decides to move to L.A. and become a celebrity there. His assistant Lutz (Gustaf Hammarsten) is the only one who has faith in him, and comes along.

In L.A. Brüno finds out it is not easy to become a celebrity, especially with his style - stereotypic gay guy who is not afraid to show a talking penis in his tv-show. Lessons are learned though, and as people become famous for their charity work, Brüno decides to bring peace to Middle-East. When even that does not work, he adopts a baby from Africa. And when even *that* does not work, he decides that to become a celebrity, one must turn heterosexual, like "Tom Cruise did".

Brüno is one of the funniest comedies this year. It is one of those that really make you laugh out loud. But it is not a movie to everyone as it's goal is clearly to shock conservative people. The story flows in a similar manner as does the story of Borat - Brüno travels around, meets real people and makes his moves to shock, irritate and question people, their openness and morals. This includes meeting a preacher who turns homosexuals to heterosexuals, a couple of PR-blondes, a bunch of hunters and a talk show audience.

Some parts are clearly staged but most of the movie is still hilarious, and especially the final scene in the wrestling ring made me cry out of laughter. And it is not just Cohen who makes the audience laugh, it is also the counter shame that one feels for the people who meet Brüno, who has totally no limits.

But despite its controversial theme, is Brüno himself homophobic? The stereotypic gay and the extreme sex scenes may be translated as homophobic as well.


Final verdict: Extremely funny and controversial comedy of a gay Austrian fashionista by Sacha Baron Cohen. Brings up the prejudices many people have against gay people and shocks with the open sexuality.

Directed by Larry Charles
Written by Sacha Baron Cohen, Anthony Hines
Cast Sacha Baron Cohen, Gustaf Hammarsten
IMDb: http://www.imdb.com/title/tt0889583/


by Paivi

Wednesday, 17 June 2009

Chéri (2009)

Directed by Stephen Frears
Written by Christopher Hampton, based on Colette's novels
Cast Michelle Pfeiffer, Rupert Friend, Kathy Bates
IMDb: http://www.imdb.com/title/tt1179258/



Reviewed by
Paivi


Michelle Pfeiffer and Stephen Frears worked together in 1988, doing the romantic 3-Oscar-winning drama Dangerous Liaisons, which gained the first nomination also to Pfeiffer. Three years ago Frears made The Queen that gathered success around and brought its leading lady Helen Mirren an Oscar.

With Chéri Frears and Pfeiffer travel back to France and to the time before the World Wars, the time known as Belle Epoque, when courtisans were a visible part of the society. The most successful courtisans lived luxurious lives in beautiful houses, surrounded by beautiful dresses, jewelry and their own staff. The story is based on novels by Colette.

Pfeiffer is Lea, a luxury courtisan who is aging and planning on retiring. She has experienced all kinds of love, except the true love. One day when visiting her old colleague Madame Peloux, played by brilliant Kathy Bates, she is tempted to kiss Madame's 19-year-old son Fred, nick named Chéri (Rupert Friend). Unexpectedly the kiss turns their lives upside down and they find themselves living together for many years.

When Madame Peloux informs that she has arranged a good marriage with a wealthy young girl Edmee (Felicity Jones) for her son, both Lea's and Chéri's dreams come tumbling down and they realise their affection is something deeper than just lust and friendship.

Wonderful Pfeiffer is the heart of this movie. As an aging beauty, insecure and troubled at the inevitable fate of her body slowly losing its youth and glamour, Pfeiffer does a convincing job. Also as a woman so involved in all sort of love affairs in her life, finally finding true love and losing it to a younger woman she is a fragile work of art.

Rupert Friend as the young courtisan's son is at ease in a role many others might have been afraid of performing. He is a good looking angel face with a gorgerous body when naked, and considering he's working with such a big name as Pfeiffer, he pulls his role as her lover professionally.

Visually stunning surroundings, beautifully framed pictures give the drama an extra essense. Frears is at best in directing movies of interesting personas - Chéri shows this the similar way as The Queen did.


Final verdict: Beautifully shot Belle Epoque drama of the love affair of an older woman and a younger man. Strong and convincing characters played by brilliant actors, especially the lovely Michelle Pfeiffer. Watch for next year's Oscar nominations and especially costume design category.

Saturday, 16 May 2009

Taken (2009)

Directed by Pierre Morel
Written by Luc Besson, Robert Mark Kamen
Cast Liam Neeson, Maggie Grace, Famke Janssen, Leland Orser, Xander Berkeley, Katie Cassidy




Reviewed by Sari



What if you are a retired CIA spy, a loving father and ready to help your child whenever possible? What if your child happens to be an adventurous 17-year old girl, ready to explore the world, all by herself? Well, it means that perhaps your help is needed sooner or later, especially Liam Neeson being in the leading role in this fast paced movie.

In Taken Bryan (Liam Neeson) is this ex-spy, living modest life close to his 17-year old daughter Kim (Maggie Grace), who herself lives with her mom Lenore (Famke Janssen) and stepdad Stuart (Xander Berkeley), getting everything she wants and having a very luxurious lifestyle. Bryan doesn't necesserily agree on her daughter's lavish lifestyle and all the freedom her daughter has, but tries to adjust as well as he can. As for him the most important thing is just to be close to his daughter, after all those years serving the country and not being able to spend a lot of time with his family.

Suddenly Kim decides to travel to Paris with her friend Amanda (Katie Cassidy) and Bryan gets very frustrated and even a little paranoid about this idea. He is afraid that she ends up getting in trouble travelling with no adult supervision, but reluctantly sings the papers that free her to go abroad, being under aged. He gives Kim a cell phone and asks her to keep in contact with him all the times, fearing for her safety. Girls have just arrived to Paris and Bryan is on the cell phone with Kim when the inevitable happens. Both girls are being kidnapped by Albanian human smugglers and Bryan is witnessing all this by the phone.

He contacts his friend Sam (Leland Orser) and finds out about the Albanian connection and is immediately on a a plane, on his way to Paris. This leads to a hunt where desperate father is after the criminals trying to figure out their next steps to find her daughter and he doesn't hesitate to use all his power and all the possible ways to rescue Kim.

This movie has all the parameters needed to work like a good action movie should. There is a lot of exciting moments, some pretty intense chasing scenes and the person who makes this film even more interesting is of course Liam Neeson and his character Bryan. Neeson is just wonderful to watch on screen. There is a man who is always so humble, yet extremely talented and can play any role, any time, making it his own thing.

The storyline is not perhaps the strongest possible and at some point it gets pretty obvious what is going to happen next and how the story is going to end. But Neeson keeps the audience in excitement and it is quite obvious to see, that the main responsibility for this movie to succeed lays on Neeson's hands.

Reminds me of those good, old 90s action films with a lot of chasing, excitement and a strong, charismatic person in a leading role. Sometimes that is all it takes to have a good movie experience. So enjoy! I sure did!

Sunday, 10 May 2009

Star Trek (2009)


Directed by J.J. Abrams
Written by Roberto Orci, Alex Kurtzman based on Gene Roddenberry's tv-series
Cast Chris Pine, Zachary Quinto, Karl Urban, Eric Bana, Leonard Nimoy, Zoe Saldana, Bruce Greenwood, Simon Pegg, John Cho, Anton Yelchin


Reviewed by
Päivi

First, let me clarify one thing: I am a Star Wars fan and I have never really seen any Star Treks. So I saw the Star Trek directed by Lost creator J.J. Abrams open minded, without any expectations and no original story to compare it to. Trust me, all I knew was that there were characters named Kirk and Spock, and a spacecraft named Enterprise. And I have to say I was very pleased indeed in what I saw on the big screen: a fascinating space adventure, interesting characters, story well written and visually worth sitting in the theatre for a bit over two hours.

This version of Star Trek is like Batman Begins - it tells the origins of how James T. Kirk became the famous Captain of the U.S.S. Enterprise and how Kirk and Spock became friends. Chris Pine is the young and restless - and fatherless - James Kirk, who tries to pick up girls in a bar when he meets a certain Captain Pike (Bruce Greenwood) who questions his future and tells him to join the space fleet if he wants to honor his father.


Kirk is sceptic but eventually turns out in the recruitment center next morning. Arrogant young man does not please everyone, especially one guy from the planet Vulcan with pointed ears (Zachary Quinto) but he becomes friends with the doctor McCoy (Karl Urban). With the help of McCoy Kirk gets through things he would not otherwise get, fights against a group led by (almost unrecognisable in his mask) Eric Bana's Captain Nero, and eventually turns from an arrogant, selfish youngster to a reliable guy worth of Captain's status.

J.J. Abrams' Star Trek is something you would wish for a good space adventure: cool gadgets and technologies, interesting, brave characters and action that is still not happening on the expense of the story. The growth story of Kirk was very basic, but it worked in a reliable way. Some overacting from Pine especially in the beginning bugged me a bit, as did some extremely cheesy moments, but they did not spoil the overall experience, which was purely entertaining.

A nice addition is the original (from the tv-series in the 60's) Mr. Spock Leonard Nimoy's appearance, and based on the comments of friends' who have seen also the original shows, all characters are very loyal to the originals and all names, personalities and nationalities have been stored unchanged. The diversity of the Enterprise crew was something that I took notice, and I found them all fascinating, well done and well played characters.

Wednesday, 6 May 2009

Duplicity (2009)

Directed by Tony Gilroy
Written by Tony Gilroy
Cast Julia Roberts, Clive Owen, Paul Giamatti, Tom Wilkinson


Reviewed by
Päivi

Tony Gilroy, the man behind many engaging cinematic stories such as Michael Clayton, Jason Bourne -series, The Devil's Advocate, an Oscar-nominated director of Michael Clayton and also a man behind another new thriller State of Play (reviewed in here) has written and directed Duplicity, a story of two spies who end up falling in love.

Clive Owen is Ray Koval, a MI-6 agent on a mission in Dubai when he meets Claire Stenwick (Julia Roberts), a CIA agent. There's something about Claire, thinks Ray, and ends up in bed with the lady... only to find himself next morning, drugged, and all his secret papers stolen by the other agent.

Time passes, the agents' paths meet again and it seems they can't stay away from each other. Because they know so many of the agent tricks, they start planning together a gig that would lead them to big money. But they have a problem: how to be able to trust each other? They are a perfect match in a way that they understand each other, but they are both so deep in their jobs that betrayal and mistrust is always in their minds.


Their plan involves two soap industry bosses, played brilliantly by Tom Wilkinson and Paul Giamatti (check especially the opening of the movie, when the two middle aged bosses have a fight in slow motion - just hilarious). A lot of spying, counter spying and a very very complicated plot follows, and I'm not going to explain that to you because it would spoil the surprises, and eventually everything pretty much turns upside down and everyone is confused on who betrayed who.

The complex story is very well written and the actors play their parts nicely. Especially Giamatti and Wilkinson are awesome as those soap moguls who try everything to find the magic product and especially launch it first (no matter who originally invented it). It is interesting to see all the complexities in industry secrets, how those big companies are well organised like countries who hold national secrets and they even have their own agents in house. In case of a big invention that might bring the company billions of dollars, this is understandable.

Roberts and Owen are cute as professional spies who are very efficient and self confident in what they do, but who are so vulnerable and insecure when it comes to questions about love. Owen is showing his usual charm and he fits into the role beautifully. Roberts is a bit missing her charisma as an ice-cold spy, and it is easy to understand why Ray questions her love.

There are a lot of twists and turns in the story, and still the ending brought a little surprise with it, which is pretty rare nowadays. And I totally loved the end scene with the champagne and all. Duplicity is recommended to all who enjoy crime/thriller stories with some comedy inside.

Wednesday, 29 April 2009

Bolt 3D (2008)

Animations made in 3D seem to be getting more and more common, and no wonder because the technology allows the makers do so many wonderful things these days. However, the fancy technology is not the only thing that makes a good movie. It is also the old-fashioned story that needs to be good to engage audiences with full force. No matter how shiny the picture is, if the viewers don't feel satisfied with the characters and the story, the makers have lost the magic touch of movie making.

Bolt is one proof that the magic still exists. It is a story of a super dog Bolt (English voice by John Travolta) who battles against the bad green eyed villain Dr. Calisco (voice by Malcolm McDowell) with his human girl Penny (voice by Miley Cyrus) - in TV. Bolt does not know he is just an actor and that his super powers are not real.


When an evil cat comes laughing at the ignorant dog, he suddenly makes a mistake escape from the movie studio, and ends up accidentally in the other side of the continent in New York. In New York he meets Mittens the cat (voice by Susie Essman) and gets tied up with her in his plans on returning to Hollywood to save Penny from Dr. Calisco. However, why his super powers don't work, he can not understand.


Bolt and Mittens start their long journey accross the country and in one trailer park bump into Rhino the hamster (voice by Mark Walton) who is Bolt's number one fan and likes living inside a transparent ball. Rhino wants to join Bolt and Mittens, and the journey continues all the way to Hollywood.


As a dog loving person I knew that I would like this at least in some level, but was pleasantly surprised with the quality of both the story and the technology. The animation just looks plain awesome in 3D - all those animals hairs look so real and the 3D really works beautifully by making the movie an enjoyment to watch.

The animal characters are incredibly cute, but they still have their own personalities and some edge. The dialogue is witty and charming. The version I saw was dubbed in Finnish so I can not comment on the original voice actors. However the Finnish version worked incredibly well with all those nice dialects some of the supporting cast was using.

Bolt is highly recommended entertainment for the whole family - a story and characters that engage both children and adults served on such a beautiful plate.



Directed by Byron Howard, Chris Williams
Written by Dan Fogelman, Chris Williams
Cast (English voices) John Travolta (Bolt), Miley Cyrus (Penny), Susie Essman (Mittens), Mark Walton (Rhino), Malcolm McDowell (Dr. Calico)

Monday, 27 April 2009

State of Play (2009)

State of Play is a movie based on a British television drama serial, broadcasted on BBC One in 2003. It captures a balanced combination of crime, drama and thriller ingredients. The story begins with an intense chase, where a young criminal runs for his life late in the evening, eventually finding a hiding place from a dark alley, but unfortunately meets his final destiny and gets shot by a mysterious briefcase man, along with a witness, who just happened to be at a wrong place at a wrong time.

The next day an investigative newspaper reporter Cal McAffrey (Russell Crowe) from Washington Globe comes to the crime scene and is curious to know what has happened. He is a well-known reporter among all the cops and detectives and is always there where something's going on.

Later that morning there is a news flash on television about yet another death, this time the victim is a young woman called Sonia Baker (Maria Thayer), who also happens to be Congressman Stephen Collins' (Ben Affleck) assistant and even more, as speculated, his secret lover. Cal happens to see the news and seems to be in awe with all this. And there is also a good reason for his reaction. Stephen Collins happens to be his former college roommate and a close friend of his, but Cal didn't have any idea of his secret affair with this young woman. He now finds himself in a challenging position trying to solve the case and on the other hand trying to help his friend.

He starts to investigate these two crimes with a young reporter, Della Frye (Rachel McAdams), even though at first he is not that interested to work with a young college grad who is still a bit green and concentrates mainly on her political blog in the newspaper. They end up doing the story together after all and as they get deeper to the story, they find out that there is much more going on than just these random deaths. All the incidents are linked together and they soon discover that Congressman Collins is also much deeper into all this than they first thought.

State of Play is well implemented movie, the storyline is strong and keeps you alert till the very end. The cast is phenomenal, Russell Crowe once again showing the audience what an incredibly talented actor he is. Watching his acting as Cal, this old-style reporter was such a strong performance and he was so comfortable with this character it felt like he truly has been a reporter in his former life. His brown corduroy jacket, the long, curly hair and rough, unshaved beard were like the finishing touches to his spectacular role.

Ben Affleck as the congressman Collins was also solid and believable, as well as Rachel McAdams in the role of Della Frye. McAdams added some fresh female energy to this film, along with Helen Mirren in a role of Editor-in-Chief Cameron Lynne. Together these two ladies made a nice balance with the strong smell of testosterone in this reporter-detective story.

Probably one of the strongest movies of its kind this year making you want to see more films like this. Enjoyable movie, with not so much action or violence, but with more investigative and crime-solving perspective.



Directed by Kevin Macdonald
Written by Matthew Michael Carnahan, Tony Gilroy & Billy Ray (screenplay), Paul Abbott (television series)
Cast Russell Crowe, Ben Affleck, Rachel McAdams, Helen Mirren, Robin Wright Penn, Jason Bateman, Viola Davis, Maria Thayer

Sunday, 22 March 2009

Rachel Getting Married - Movie Review (2008)

Rachel Getting Married is a story of Rachel (Rosemarie DeWitt) who is obviously getting married, but rather than just consentrating on this special day and all the beauty of weddings and the consept of marriage, this is also a story of a bittersweet relationships between family members, struggling sisterhood and the importance of one basic fundamental in everyone's life, our families.

The setting is beautiful and peaceful. Rachel is back at her childhood home in Connecticut and is ready for her big day. She and her fiancée Sidney (Tunde Adebimpe) are expecting to have lot of friends and family members coming to the reception and there will be a lot of ethnic flavor, beautiful music and a lot of love in this house during this special weekend. So who could ask for anything more? It seems like this is going to be the perfect wedding.

Except for one little detail, which happens to be nothing less than Rachel's own sister Kym (Anne Hathaway), who is coming to the house the day before the wedding and is always a bit unpredictable, a sister who may either behave nicely or possibly ruin the whole thing. So Kym is obviously the Black sheep of the family and has had her share of struggles in life, living in rehabilitation facilities and now finally, and strongly trying to stay sober and stabile.

So here they are, those two sisters, the other one starting a new chapter in her life and the other one, still trying to find herself, still trying to fit into the picture (and into the family). When Kym arrives as this dark, self-ironic, self-centered herself, the mood in the house changes quickly. Rachel gets very upset and frustrated about her sisters theatrical acts especially after the rehearsal dinner and cannot stand how their father Paul (Bill Irwin) is always trying to protect Kym. Kym on the other hand, once again finds herself being accused of lot of things, defending all her acts. So the beautiful setting gets soon a different tone of color and things get more darker and more dramatic.

It was so bittersweet and so familiar to witness all the confrontations, jealously and arguments between these two sisters and especially Rachel's frustration and negative feelings towards Kym felt so real. On the other hand it was quite sad to see all the sorrow and the despair that Kym was facing and those thoughts that were running in her head all the time. Her thinking of being this not so wanted, unpredictable, sosiopathic, strange sister of Rachel's.

There is also some deep sadness still lingering in this family. Kym and Rachel lost their brother Ethan years ago accidentally and this loss seems to still hunt them all. Kym is torn apart because of the loss, blaming herself, and for a pretty good reason. She being the one driving the car (under the influence of drugs and alcohol) when she lost control and her brother ended up drowning. Even in the middle of all the wedding preparations they go back to this old memory which is so tough thing to swallow, especially for the dad, Paul.

But the most saddening thing was to see their mother Abby (Debra Winger) coming to the picture and realize she was a mother who didn't really seem to care about her daughters too deeply and who looked like she was trying to run away from all the situations quietly, without a scene. Which gave me the idea that maybe Kym's problems in the past were due to her mother's emotional unavailability for her children.

Still, in the end the importance of family breaks through all the drama and all the difficulties and the end was delivered quite beautifully and gave a nice finishing touch to this story.

This movie made a huge impression on me and really got me to think about my own motherhood and the fact that the role we give to our children is something to think about, seriously. This movie also got me to think about the importance of family and the relationships between family members. How many times I myself have witnessed family gatherings gone wrong, and for no important reason.

I also enjoyed the cinematography and the style of directing in this film. I think that the movie was visually so familiar and traditionally implemented that it almost felt like someone from the bride's or groom's family was filming some of the scenes. I think it brought the characters closer to the viewer and made the whole story more believable.

Even though some criticize this fact, I really liked the visual style and would enjoy to see more films like this. I feel strongly that stories don't have to have the Hollywood-Style visual shine to make a deep impression on viewers. The stories with a beautiful soul and strong, believable characters are the ones that touch us the most. And Rachel Getting Married is definitely one of those films.

I was very close to giving this movie five stars, but towards the end the movie got a little slower and I felt like some of the scenes at the end could've been left out, so that is why (only) four stars.



Directed by Jonathan Demme
Written by Jenny Lumet
Cast Anne Hathaway, Rosemarie DeWitt, Mather Zickel, Bill Irwin, Anna Deavere Smith, Anisa George, Tunde Adebimpe, Debra Winger
IMDb:http://www.imdb.com/title/tt1084950/

Wednesday, 11 March 2009

Mammoth (2009)

Swedish movie maker Lucas Moodysson (Fucking Åmål, Lilja 4-ever) has created a touching story of the world today, how families are separated and connected only with mobile phones and how important our families really are - this is Mammoth.

Leo (Gael Garcia Bernal) is a "game guy" who a few years ago started a community in the web, which then grew into one of the biggest gaming communities. He is no business man but more of a nerd and he has other guys to take care of the business. However, his signature is needed and he is forced to fly to Bangkok for singing a big deal.

His wife (Michelle Williams) is a surgeon who often works at nights. They have a 7-year-old daughter Jackie (Sophie Nyweide) who is taken care of by a Philipino nanny Gloria (Marife Necesito) most of the time. When mother is always working, she and her daughter start to drift apart, and Jackie gets more connected to her nanny. Gloria however has her own heart breaks: her two small sons are back home in the Philippines taken care by their grandmother when she is trying to earn the family money to build a new house by working in the US.

When the husband is facing the many worlds of Thailand, the wife must deal with dying kids in the hospital and the lack of time to spend with her own daughter, the nanny must cope with longing to be with her own kids especially in the time when they really need her...

Mammoth is strong with emotions: love of mothers and fathers to their children, love of husbands and wives, love for the world. It reminded me a lot of Alejando Gonzales Iñarritu's Babel (review of Babel in here) with the story happening at the same time in very different environments of New York, Thailand and in the Philippines.

The first half of the movie I was convinced on awarding the film five stars, but in its latter half things started repeating themselves a bit, and the story started losing its emotional grip. Somehow I believe that due to the strong emotions on children, Mammoth will affect more those people who have children on their own. After all the biggest idea behind the story is that children and parents need time together.

Mammoth is visually stunning, and just like Babel, it focuses on very different views in different parts of the world. It shows the children collecting garbage and selling themselves for tourists in the Philippines, it shows both the beauty and the ugliness of the tourism in Thailand, and it shows also how a seemingly normal life in New York can be so filled with emotions that are not getting fulfilled. And also it shows that in a world full of technology that should keep people more easily connected to other people, people still need each other in person and not just as a voice, sms or email.



Directed and written by Lucas Moodysson
Cast Gael Garcia Bernal, Michelle Williams, Marife Necesito, Sophie Nyweide
IMDb http://www.imdb.com/title/tt1038043/

Sunday, 1 March 2009

Slumdog Millionaire - A movie review

I was finally able to go see the talked about movie, eight Oscar winner: Slumdog Millionaire.

I was so curious to find out what the story of this film was all about. What made it so extraordinary that it ended up winning all these Oscars? Best picture, best directing, best original score, best original song, best editing, best soundmixing, best cinematography and best adapted screenplay. The trailer itself didn't reveal too much and I wasn't sure what to expect other than a pretty boring thought of a young man participating in a Who Wants to be a Millionaire-competition in India. But I was so wrong, since the competition itself was just a tiny part of the story, like the top of an iceberg.

In truth this was a compelling story of a young man, a slumdog Jamal (Dev Patel), who ends up playing in a Who Wants To Be a Millionaire-game and suddenly and for everyone's suprise is just one question away from the Grand Prize! But it's not that easy to be in a position like this in India and just before the final broadcasting and the final answer, he finds himself in a local jail. In an intense questioning he tries to give the answers to all the questions made by the local Police Inspector (Irrfan Khan): How could you know all the answers? You are just a poor boy with no education and now knowledge of such things as poetry or our culture! You just cannot know the answers! Can you?

But you just watch and see...

As Jamal answers the questions in the competition (and to the Inspector in the questioning) the story rewinds back to his early childhood, to his brother Salim and the girl he so dearly loved, but then lost, called Latika (Freida Pinto). It shows the complex relationship between the brothers, but it also reveals the poverty and the despair of their childhood in the slums of Mumbai. This movie isn't just about the story of Jamal, but also a story of his culture and the slums of Mumbai. It was beautiful to watch how the story evolved with all the children turning into young adulthood and how those two, Jamal and Latika finally found each other again despite all the obstacles they had to go through. And last but not least, all the questions (both in the competition and in the jail) being answered one by one, just like it is written.

One of the Oscars of this film went to director Danny Boyle (The Beach). And no wonder. The directing in this film has its own, fresh point of view. And it sure was nice to see something a bit different from everyday Hollywood style movies, and I really enjoyed how Boyle brought all the cultural aspects to the screen, showing us not only the story of Jamal, but also the cultural side of the story, the despair of those little children of Mumbai and the overall differences between our world and the world of Jamal's.

But still, for me it's a bit hard to put this movie on its place. Was this an extraordinary experience, being the best movie of the year? Exceeding all the others I have seen this past year or all the other Oscar nominees? I really don't know. But I sure will remember this one and appreciate the fact that the Oscar Committee went for a fresh movie this year, and gave hope to all of those low-budget film makers.

This film sure wasn't just a movie along others, since the story was so different and up to date. All the cultural aspects made it more believable and more colorful than most of the films that I have seen in the past year. The cast itself was amazing, all the actors and actresses being locals and the youngest children being the real children of the city of Mumbai, some of them from the slums themselves. This had a very important role as making the story come alive and to be more realistic. The cast actually made it so real that at times I thought I was watching a real documentary film rather than a movie. For saying this I also want to mention the cinematography, which was unbelievably colorful, strong and well implemented and I personally still have a lot of those vivid images in my mind.

So, if you are looking for a movie with a colorful cultural aspects and a new, fresh point of view, go see this one! I am sure you will enjoy!



Directed by Danny Boyle and Loveleen Tandan (co-director in India)
Written by Simon Beaufoy (screenplay) and Vikas Swarub (novel)
Cast Dev Patel, Freida Pinto, Anil Kapoor, Irrfan Khan
IMDb http://www.imdb.com/title/tt1010048/.

Thursday, 26 February 2009

Watchmen (2009)

In 1986-87 Alan Moore and David Gibbons published a series of comics that eventually formed a graphic novel called Watchmen. The novel became one of the most highly acclaimed graphic novels of all time, and received an honor of being the only graphic novel to win a Hugo-award. So, the pressure on who'd take the story and make it onto the big screen was huge.

Director Zack Snyder (300) was not afraid of the challenge and created a movie that is very loyal to the original work, both in its story and visual style. Watchmen is a challenging work of art as a novel - it requires its reader to really work through the story, every single frame has so much information and there are parallel stories that need the reader's full attention. The film does not differ that much from the novel: it is also challenging to watch. During its three hour duration one will see rape, murder, very graphic and bloody violence not that common in comic book movies.

Watchmen is a story of a former group of masked superheroes. Masked heroes have been made outlaws in the US, and only very few still continue their work on the streets. Many of the ex-Watchmen are already aging, retired from the superhero business, and then suddenly one of them (The Comedian played by Jeffrey Dean Morgan) gets brutally killed. Rorschach (Jackie Earle Haley) suspects someone is killing off masked heroes and starts investigating. At the same time the world is falling towards the World War III between the Soviet Union and the US.

The story is very complex and to even try to describe it here would not make any sense. Due to the complexity it is strongly recommended to read the novel first and only then see the movie. That way the viewer will get the most out of the movie as well, because there are many things that are not thoroughly explained.

The Watchmen cast is brilliant. Billy Crudup as the blue Dr Manhattan has just the perfect amount of the god-like behaviour in him, but does not fully forget he was once a human. Haley as a socially incompetent Rorschach is as perfect as in his creepy role in Little Children. Haley's Little Children colleague Patrick Wilson brings vulnerability to his shy-ish Dan Dreiberg, and Malin Akerman is just too sexy in her latex costume as Laurie. Matthew Goode as Adrian Veidt first feels a bit too "weak" for the character, but eventually he grows into the proportion required for the "world's smartest man".

Watchmen is a comic book movie but it is no Fantastic Four. It is complex and does not necessarily open up to a person not familiar with the original story. It is challenging in both its story and visuals. It is dark and grim, but visually mesmerizing, and it gives something to think about, and also a reason watch it again.



Directed by Zack Snyder
Written by David Hayter and Alex Tsu, based on the graphic novel by Alan Moore and David Gibbons
Cast Malin Akerman, Billy Crudup, Jackie Earle Haley, Patrick Wilson, Matthew Goode, Jeffrey Dean Morgan, Carla Gugino
IMDb http://www.imdb.com/title/tt0409459/

Sunday, 22 February 2009

The Curious Case of Benjamin Button (2008) - movie review

David Fincher came to my knowledge a few years ago with his terrific horror movie Se7en. With that he owed me a few nights of sleep. Then came Fight Club that solidified Fincher's skills in my books. Couple of years back came Zodiac which was also a nice piece of work.

This time Fincher has taken a totally different kind of story in his hands - a romantic drama of a man who is born old and gets young all his life. The story is loosely based on a short story by F. Scott Fitzgerald in the 1920's.

Benjamin Button (Brad Pitt) is born in 1918 and his mother dies in childbirth. His father is devastated by her death - and even more when he sees his baby boy who looks more like a dying old man than a cute little newborn baby. He abandons him at the door of nursing home for old people, where he's taken care of by Queenie (Taraji P. Henson). Queenie believes all God's creatures deserve to live, and especially because she could not have children on her own, she takes Benjamin as her son.

Soon she realises that Benjamin is very special. He refuses to die as doctors predicted, and starts growing up, and at the same time getting young. When he meets a cute little blue eyed granddaughter of a lady living in the house, his life gets a new turn. Somehow the old young man and the girl get connected. The blue eyed girl grows up to be a stunning young lady called Daisy (Cate Blanchett) and eventually her and Benjamin's paths cross again.

The Curious Case of Benjamin Button is a delicate romantic drama. The story holds up surprisingly well for its whole duration of 2 and a half hours. Surprisingly, because when I first heard about the movie, I thought the story sounds stupid. But it is far from stupid. It is a very sweet story, and even though you know exactly where events lead to, even just seeing other people get old and Benjamin get young is fascinating. The idea of being able to use all your old age wisdom and experience when young is interesting. But the idea has major downsides: the people around you just die of old age when you still continue to flourish. This will eventually lead to serious loneliness.

This is the third time Fincher and Pitt work together, and every time they do brilliant job together. It is beautiful to notice how Pitt has grown into a great actor after his "cute boy" years, and him working with one of without doubt the greatest actresses of our time, Blanchett, is fantastic to watch. Blanchett's variability is just amazing, how she can do pretty much any role she's given, and always in such a passion that captures the viewer deep into the story she's telling with her presence.

Benjamin Button was nominated for 13 Oscars which made it the most nominated film this year.



Directed by David Fincher
Written by Eric Roth
Cast
Brad Pitt, Cate Blanchett, Julia Ormond, Taraji P. Henson, Tilda Swinton
IMDb http://www.imdb.com/title/tt0421715/

Monday, 16 February 2009

The Reader (2008) - Movie Review

This is a story of Post-WWII Germany. This is a story of two people that meet and have true passion despite the age difference. This is also a story of pride, pride that can in the end lead to some sacrifices. And a story of new connection, new beginning and new hope, even there is not always so much to look for.

The movie begins on one rainy day. A young Michael Berg (David Kross) is walking in the rain and is weakened by a worsening scarlet fever. He gets a helping hand from a lady called Hanna (Kate Winslett), who offers to guide him back to his home. When Michael gets better and is able to leave his house again, he wants to go to her and thank for her kindness. Hanna lets him in her tiny apartment and in her lonely life. It doesn't take long for them to find themselves being passionate lovers. There is quite an age difference and the affair keeps secret, but there is still something unforgettable about all the moments these two share together.

Hanna also seems to have some peculiar habits. She loves to be read and Michael sure enjoys reading to her, every single time that they meet. He doesn't ask any questions, but just keeps on reading. No matter how passionate they seem to be, there is always room for a new chapter, a new book and a new story.

Until one day, when Hanna mysteriously disappears, leaving Michael heartbroken.

-------------------------------------------

Years go by and Michael is a law student observing trials in court halls. One day when going to the court there is a Nazi war trial, where several S.S. guards are defendants and believed to have sent children and women to their deaths in Nazi camps. When at the courtroom he suddenly realizes that Hanna is one of the accused S. S. guards. He is stunned to see her again in these kind of circumstances. There is also a tiny secret, just a little detail Hanna won't reveal in the court, but which Michael knows about and is torn between helping her or just letting it go.

Time goes by and Hanna is now in prison. She is serving a life time sentence for her actions during the war. Michael (Ralph Fiennes) on the other hand has a family, but eventually gets divorced and when going through his old things, he finds all the books he used to read to Hanna and decides to record those books into tapes and send them to her. He sends them year after year, until finally Hanna starts to use these tapes to teach herself how to read.

In the end Michael is the only contact Hanna has in her life outside the prison and when it's time for her release, he is the one to take care of her and her new life, being a free woman. But things don't always go the way they're supposed to as is the case in this one too.

The end of the film was quite slow paced and even a bit boring I would say, but overall this was an interesting story of two strangers that meet, fall in love, have true passion, drift apart and then meet again in the strangest circumstances.

Kate Winslett's role as Hanna was very strong, believable and real. Like Kate herself is. There is just something about this woman that makes her so alive and real on the screen. She is perhaps one of the most down to earth actresses that I know of and maybe that's one of the reasons she outshines the others. And remember, Kate is nominated for an Oscar for her role as Hanna.

But this film is not only about love and the little affair, nor about Kate or her skills, even though she is nominated for Oscar for her role in this film. But we need to remember that this is also a story about war and about all the horrible memories of the Holocaust, the dark side in German history. It was very moving and confusing to see young Michael walking in the old prison camp, all those empty halls and those empty gas chambers. You could almost sense the presence of all those poor people that were walking their last steps to their deaths, closing one chapter in German History.



Directed by Stephen Daldry
Written by David Hare (screenplay) and Bernhard Schlink (book)
Cast Kate Winslett, Ralph Fiennes, David Kross
IMDb http://www.imdb.com/title/tt0976051/

Sunday, 1 February 2009

Revolutionary Road (2008) - movie review

Life and relationships are full of ups and downs, everyone knows that. Some people are better at enjoying life's little treasures than others, some are never satisfied with what they have and always want more, and for those life is sometimes very hard. They think they should deserve something better, but are paralysed from acting and making the change themselves, they end up miserably on the comfort zone.

April (Kate Winslet) and Frank (Leonardo DiCaprio) are a young adorable couple with two beautiful kids. They live in a cute white house with some space for everyone to play and enjoy life. Frank works in the city and is forced to take a train to cover the long distance, when April has lived years at home taking care of the kids, house, food and garden.

She's a bright young lady who suffers of her situation, and the difference between the couple's lifes starts to tear them apart. April gets depressed, Frank gets an affair. Suddenly April remembers their long lost dream of moving to Paris, and their relationship starts sparkling again. But when things have gone already bad, not even Paris helps...

Revolutionary Road is extremely intense drama. It is intense especially because of the realism - this can happen to anyone, and I'm sure this kind of couples are out there - many of them. All the terrible pain of relationship gone bad, being together but alone, and that performed with the skill and intensity of Winslet and DiCaprio, ones of the most brilliant actors of their generation, just makes your heart ache for two hours.

This movie is one of the best I've seen in describing how a relationship can go bad without a clear reason. For outsiders everything looks perfect, but under the cover everything is burning and ready to explode and destroy.

The movie wakes you up. It makes you think about your own life. And if your own life is going downwards, it hopefully wakes you up to act before its too late.



Directed by Sam Mendes
Written by Justin Haythe, based on the novel by Richard Yates
Cast Kate Winslet, Leonardo DiCaprio, Kathy Bates, Kathryn Hahn, David Harbour, Michael Shannon
IMDb http://www.imdb.com/title/tt0959337/